Cast & Crew named new headline sponsor of RTS Programme Awards

Cast & Crew, the international provider of software and tech-driven services to the entertainment production industry, has been named the new headline sponsor of the RTS Programme Awards.


The company has signed a three-year deal with the Royal Television Society to become lead sponsor for the annual event in 2024, 2025 and 2026, as part of its increased support for the UK television sector.


“Sargent-Disc, a Cast & Crew company, has been a Major Patron of the Royal Television Society for eight years now,” says Dr Laurence Sargent, Co-Head International at Cast & Crew and Sargent-Disc Director.


“During that time, we’ve provided long-term support for the Society’s important work, including its excellent awards ceremonies and other important events connected to its new industry entrants schemes, including RTS Futures and RTS Bursary Scholarships.


“We are delighted to now be able to significantly elevate our relationship with the RTS by confirming Cast & Crew as the new headline sponsor of the RTS Programme Awards.


“This annual ceremony is one of the most prestigious awards events in the UK television industry. It has maintained consistent respect within the British production community throughout its long heritage. For almost 50 years, it has recognised the best in television talent, starting out with just seven categories in 1975 and growing to encompass 30 categories today.


“As a global company with established business links across the UK television industry, Cast & Crew is extremely proud to be the new headline sponsor of the RTS Programme Awards for the coming three years. We’re particularly excited that this period will include the Awards’ half-centenary milestone in 2025. We look forward to this new chapter of Cast & Crew supporting the celebration of UK television industry talent.”


“We’re delighted to welcome Cast & Crew on board as the new headline sponsor for the RTS Programme Awards in 2024, 2025 and 2026,” says Theresa Wise, CEO of the Royal Television Society.


“Their support will enable us to continue to deliver our prestigious awards ceremony and dinner each year, ensuring that we continue to do justice to the outstanding work of future nominees and winners being recognised. We thank Cast & Crew for coming on board; we couldn’t do it without their support.”


An educational charity promoting the art and science of television, the Royal Television Society (RTS) is the oldest television society in the world. It was originally founded in 1927 before being granted Royal status in 1966. The RTS Programme Awards span all genres of television programming, from drama to music, soaps to natural history, children’s fiction to comedy performance.


They recognise exceptional actors, presenters, writers and production teams, as well as the programmes themselves.


The awards are attended by more than 1,000 senior UK and international industry professionals each year, including leading UK broadcasters BBC, ITV and C4, international streamers like Netflix, Amazon Prime and Apple TV, major studios including NBC Universal and Sony and top production companies such as All3Media, Shine Group, Endemol UK, IMG Sports Media and Fremantle Media.


The 2023 RTS Programme Awards hosted by Tom Allen took place on 28 March. Winners included Kate Winslet, (Leading Actor – Female for I Am Ruth, Channel 4), Kit Connor (Leading Actor – Male for Heartstopper, Netflix), Sherwood (Drama Series Award, House Production for the BBC), Dodger (Children’s Drama Award, Universal International Studios for CBBC) and Brassic (Comedy Drama, Calamity Films for Sky Max).


The Royal Television Society Programme Awards 2024 in partnership with Cast & Crew will take place at Grosvenor House, London, on 26 March 2024.

BBC and Channel 4 Reign Supreme at Edinburgh TV Awards

The Edinburgh TV Awards, sponsored by Cast & Crew, took place yesterday on the final evening of the 2023 Edinburgh TV Festival with the BBC and Channel 4 leading the wins. Hosted by stand-up comedian, actor, writer and musician Jordan Gray, the awards celebrated the incredible range of creativity and excellence of the UK and international TV industry. In a year that saw huge drama launches, big farewells and welcomed genre busting non-scripted formats, it has definitely been a year of TV to remember and the awards last night reflected that.

Dr Laurence Sargent, Co Head International, Cast & Cast and Director Sargent-Disc, presented the Best Drama Award to the BBC for Happy Valley, created, written and directed by the phenomenally talented Sally Wainright.

Dr Laurence Sargent presents the Best Drama Award
Sally Wainwright received the Best Drama Award

BBC COO, Charlotte Moore, was presented with the Channel of the Year award by Jury President, Mobeen Azhar. The BBC had a successful night with additional wins including Best Entertainment Series which went to The Traitors, Breakthrough Presenter to Ellie Simmonds (Ellie Simmonds: A World Without Dwarfism?), and Best Entertainment TV Presenter for Graham Norton (The Graham Norton Show).

Claudia Winkleman was presented with this year’s Outstanding Achievement Award for her contribution to some of the most popular TV shows. These include non-scripted hits The Piano from Channel 4 and the BBC’s The Traitors alongside the hugely popular Strictly Come Dancing from the BBC.

Claudia Winkleman receives the Outstanding Achievement Award

2023 Edinburgh TV Awards Winners:

CATEGORY
WINNER
Best TV Actor – Comedy
Jamie Demetriou
Best TV Actor – Drama
Kate Winslet
Best TV Presenter – Factual
Ramita Navai
Best TV Presenter – Entertainment
Graham Norton
Breakthrough Actor
Lewis Gribben
Breakthrough Presenter
Ellie Simmonds
Best Comedy Series
Derry Girls
Best Documentary
Children of the Taliban
Best Drama
Happy Valley
Best Entertainment Series
The Traitors
Best International Drama
Succession
Best Popular Factual Series
Rosie Jones’ Trip Hazard
Climate Impact Award
Guy Martin’s Great British Power Trip
Production Company of the Year
Dancing Ledge Productions
Production Group of the Year
STV Studios
Small Indie of the Year
Afro-Mic Production
Best On Demand Service
ITVX
Channel of the Year
BBC One
Ones to Watch Random Acts Live Pitch
TBC
Outstanding Achievement Award
Claudia Winkleman
TV Moment of the Year
Dr Who Regenerates

 For the full list of nominees and more information about the awards, visit the Edinburgh TV Festival website.

2023 NFTS Graduation – celebrating up and coming filmmakers

This year’s National Film and Television School (NFTS) Graduation ceremony took place on Friday 3rd March at the Odeon Luxe in Leicester Square, after four days of screenings and industry networking events at the BFI Southbank.

Dr. Laurence Sargent, Director of Sargent-Disc, attended the ceremony as a proud sponsor of three NFTS students (two Production Management Diploma students and one Production Accounting student [John Sargent Scholarship]). These scholarships serve as a key element of Sargent-Disc’s work to recognise the efforts of the NFTS and its students in achieving excellence.

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BBC wins big at the 2023 Broadcast Awards

The Sargent-Disc team were delighted to be a part of another spectacular celebration of talent at the 2023 Broadcast Awards earlier this week (8 February).

Always a highlight of the UK television awards calendar, this year’s ceremony took place in front of a packed audience at The JW Marriott Grosvenor House Hotel on Park Lane, hosted by comedian Sue Perkins.

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Inaugural Earl of Wessex Award presented to 6FT From The Spotlight at PGGB Talent Showcase

Over 250 people (industry experts, newcomers, students, educators and skills bodies) came together at The Savoy Hotel on Tuesday 24th January for the first Production Guild of Great Britain (PGGB) Talent Showcase. As a member of the PGGB Board, Sargent-Disc Director, Lara Sargent, attended the evening with Director Laurence Sargent to watch the presentation of the inaugural Earl of Wessex Award.

Earl of Wessex Award Presentation

The award was presented in person by His Royal Highness Prince Edward, The Earl of Wessex and the PGGB’s Royal Patron to 6ft From the Spotlight. The award recognised the Film and TV industry charity’s work to shed light on and improve mental health and wellbeing in the UK production workplace.

Earl of Wessex award winners 6Ft From The Spotlight with HRH Prince Edward, Earl of Wessex

The Earl of Wessex Award was launched last year to identify those who have created “a successful way of inspiring local talent or skills, widening access or being more inclusive” within the UK film and TV industry. The other finalists for the 2023 award were Fully Focused, MAMA Youth and Resource Productions.

Talent Showcase Panel Discussion

The event, hosted by presenter Ayo Akinwolere, commenced with a panel discussion involving the PGGB Careers Pathways Panel – Production Finance Manager Chika Ansiobi; Production Manager and PGGB Spotlight on New Talent Award winner Fay Mohamed; Head of Film Barking & Dagenham Lisa Dee; Producer and Co-Founder of HaZ Film Paula Crickard; Executive Producer Roopesh Parekh and Alliots LLP Media Accountant Samuel Ampah.

The panellists shared insights into their own beginnings and the challenges they have faced throughout their careers to date. Advice echoed across the panel was the importance of self-belief, perseverance and to speak to everyone you can as all it takes is one person to make a difference.

The evening ended with a drinks reception, allowing attendees the opportunity to network with fellow members of the industry.

Host Ayo Akinwolere with PGGB Careers Pathway Panel: Roopesh Parekh; Lisa Dee; Fay Mohamed; Paula Crickard; Samuel Ampah and Chika Anisiobi

Photo Credits: Ben Meadows for the Production Guild of Great Britain

CELEBRATING 2022 THE PRODUCTION GUILD OF GREAT BRITAIN AWARDS

We were delighted to sponsor this years’ Reception at the 2022 Production Guild of Great Britain Awards in association with Warner Bros. Studios Leavesden, which took place at The Grove in Hertfordshire on Saturday 26 March.

The awards recognise remarkable achievements made by Guild members working in film or television drama within the production office, accounting, locations, assistant directing, post-production and VFX.

Whilst the pandemic forced the biannual event online in 2020, this year saw the welcome return to a glittering in-person ceremony, hosted by comedian and TV presenter Patrick Kielty. Six awards were handed to film and High End TV-industry figures, productions and initiatives that have achieved remarkable success in the past year.

Dr Laurence Sargent, Director of Sargent-Disc and Co-Head of Cast & Crew International, said: “After so long working remotely, it was a real milestone to be able to gather together with industry colleagues in person at The Production Guild of Great Britain Awards 2022, to applaud the successes of those working in UK production. It was our pleasure to sponsor this year’s Reception.”

“We were particularly proud to see the recognition for The North Water and The Northman, two titles that Sargent Disc provided payroll services for. And of course, we join many others in congratulating Barbara Broccoli and Michael G Wilson on their Contribution to the Industry award. Sargent Disc has a long-standing relationship with EON that we were recently delighted to continue by supplied payroll services for No Time To Die. Congratulations to all the winners!”

Lyndsay Duthie, CEO Production Guild of Great Britain © Martin James Photography & Videography

Film Production Team of the Year Award

 

This year saw the PGGB Production Team of the Year Award separated into Film and HETV production categories for the first time. The PGGB Film Production Team of the Year Award was presented to the team behind the action-filled Viking epic The Northman (New Regency/Focus Features). Mark Huffam (Producer), Peter Eardley (Financial Controller), Naomi Liston (Supervising Location Manager), Darren Chesney (Production Manager), Nikki Chamberlain (UK Production Accountant), Tom Boardman (Payroll Accountant), Barry McGoniglet (Assistant Accountant) and Jakub Malar (Assistant Accountant) collected the award for their exceptional work on the action movie set in 10th Century Iceland.
 

When the UK entered lockdown just days before The Northman’s principal photography was due to start in March 2020, director Robert Eggers and crew quarantined in Belfast rethinking production practises and schedules, devising innovative solutions to Covid-safety challenges, and navigating arrangements with a multi-national cast that included Alexander Skarsgård, Nicole Kidman, Claes Bang, Anya Taylor-Joy, Ethan Hawke, Björk and Willem Dafoe. With overseas locations off the table due to travel restrictions, the team set out to recreate the Scandinavian look and feel of the film in Northern Ireland, rethinking locations and set building and prepping everything from costumes and props to horse-training and armory-safety during shutdown. The three month shoot finally began in August 2020 at Belfast Harbour Studios and on location at Torr Head (County Antrim) where a full Viking village was built. Other locations included Five Finger Strand (County Donegal) and The Gleniff Horseshoe (County Sligo).

“The Northman was the first major feature to shoot in Northern Ireland during COVID-19,” said Jury Chair, Producer / Exec Producer Callum McDougal. “It was an absolute trailblazer, sending a sign across the world that we could continue to work safely in this country and deliver film successfully. The team really went above and beyond, showing an exceptional degree of resilience and ingenuity whilst remaining true to the original concept of the movie.”

A Special Mention went to the team behind award-winning indie feature Rocks (Fable Pictures/BFI/Film4) for championing emerging talent in front of and behind the camera and building a predominantly female team.

High-End TV Production Team of the Year Award

The new PGGB High-End TV Production Team of the Year Award went to five-part BBC Two miniseries The North Water made by See-Saw Films. Nicky Earnshaw (Head of Production), Alice Dawson (Co-Producer), Paul Murphy (Financial Controller), Edward Rastelli-Lewis (Production Manager), Adam Hutchings (Production Accountant), Owen Keys (1st Assistant Accountant) collected the award for their outstanding work on the survival thriller set in the UK and the ice floes of the Arctic in the late 1850s.

Driven by director Andrew Haigh’s vision for maximum authenticity, shooting took place in the Arctic in Svalbard, up to 81 degrees north, earning The North Water the reputation of being the most northerly drama shot to date. At times locked in sea ice and up to 24 hours away from land, filming took place on a period whaling vessel with just two small support vessels and on floating ice sheets.

Cast and crew lived in close quarters for a month, enduring hostile conditions and freezing temperatures, encountering polar bears and walruses. Production continued in Budapest at the end of 2019, and when the pandemic brought about lockdown in March 2020, the team were forced to pull the Canadian leg of their shoot, moving filming for remaining sequences to the UK. The shooting crew were a mix of British, Hungarian, Norwegian and Canadian.

“The North Water team demonstrated how to survive the perfect production storm: you take all the elements that make production tricky, throw in Covid and then sail north!” said Jury Chair PGGB Chair, Producer Alex Boden. “The fact that they not only survived it, but they’d do it again, is testament to this team’s achievement. This is what UK High-end television looks like today.”

A Special Mention went to the team behind Channel 4 crime drama Suspect (w/t) produced by Eagle Eye Drama, for their progressive approach to scheduling the shoot in a way that reimagined the ‘work-life balance’ of the film set, placing well-being of crew at the heart of the show.

Inspiration Award

This year’s PGGB Inspiration Award went to Samantha Perahia MBE, British Film Commission Head of Production UK, for the continuous guidance, advice and support she provided to the UK film and High-end TV production sector throughout the COVID-19 pandemic.

An integral member of the BFI Covid Safety Taskforce and the BFC Covid-19 Inward Investment Recovery Group, Samantha led on the drafting of BFC’s ‘Working Safely During COVID-19 in Film and High-end TV Drama Production’ guidance. Working remotely, her team led one of the biggest cross-industry consultations ever undertaken, considering hundreds of submissions to develop the guidance.

Working with DCMS, Samantha led the guidance through government scrutiny to the highest level including Public Health England and, finally, No.10. On 1st June 2020 the UK film and High-end TV sector became the first industry to publish Government-endorsed safety guidance, enabling production to start moving again. Samantha’s team has regularly updated the guidance amidst changing restrictions, providing up-to-date guidance to production professionals in the UK and overseas. She was awarded an MBE for services to the industry in the New Year Honours List 2019.

“Samantha is the best asset the British Film Commission has,” said Iain Smith OBE. “Through her passion, her can-do approach and her hard work, she has become the trusted voice of our industry around the world and particularly in North America. As Chair of the BFC I thank her for her hard work and her dedication to that work and I salute her for everything she has done for our industry in this country.”

A Special Mention went to Lynn Saunders, Head of Liverpool Film Office, for her work developing the screen sector in Liverpool and the North-West region.

Samantha Perahia
Samantha Perahia © Martin James Photography & Videography

PGGB Diversity and Inclusion Champion Award

The newly introduced PGGB Diversity and Inclusion Champion Award went to Emily Stillman (Senior Vice President, Studio Operations WBSL) and actor Charlotte Riley for their work in bringing The WonderWorks, the first dedicated childcare facility at a UK film or TV studio, to Warner Bros. Studios, Leavesden.

The WonderWorks provides accessible, affordable and flexible support for families, with 45 places available to productions and Warner Bros. staff based at the site. Founded in 2019, the Ofsted registered nursery has set a precedent for the industry to provide support for parents working in film and TV production and has since launched the ‘Keeping Families in Film’ campaign urging industry leaders to make on-set childcare solutions a priority, with a line in every budget for childcare. The campaign has garnered widespread support in the form of an open letter signed by major figures such as Keira Knightley, Cillian Murphy, Hayley Atwell, Lizzy Caplan, Alfred Molina and Jodie Whittaker, along with organisations including Time’s Up.

“To see the journey The WonderWorks has gone on in such a short space of time and what Emily and Charlotte have achieved, is incredibly inspiring”, said actress Jodie Whittaker (Doctor Who) via a video message on the night. “It is so vital and it’s so necessary for our industry.”

Special Mentions went to: Channel 4’s ‘Black to Front’ campaign; The Film & TV Charity’s Mental Health campaigns; Jules Hussey (Brazen Productions); Nahrein Kemp (ITV Creative Diversity Partner), Digital Orchard Foundation and Sky Productions for The Rising.

Spotlight on New Talent Award

The PGGB Spotlight on New Talent Award was presented to Fay Mohamed for the tenacity and ability she has shown whilst stepping up from Production Coordinator to Production Manager.

After gaining Production Coordinator credits on Top Boy (Netflix), The Accident (Channel 4) and Ted Lasso (Apple TV+), Fay made the move to Junior Production Manager for one block of Britannia (Sky Atlantic/Amazon Studios), before stepping into a full Production Manager role in 2021 for Gangs of London, produced by Pulse Films for Sky Atlantic. Remaining poised in the face of huge challenges caused by filming during COVID-19, Fay built trust across all departments and remained enthusiastic for continued responsibility. Throughout her steady career trajectory, her natural and burgeoning talent for production has been recognised by those she has worked with, marking her out as ‘one to watch’.

“We commend Fay for making that big step from the confines of the production office to a more frontline role,” said Pulse Films’ Head of Production Bianca Gavin. “Gangs of London is an ambitious series, yet Fay never once faltered. She put herself front and centre, managing crew and equipment shortages, on top of all the other anxieties that working through a pandemic brings. Stepping up to become a solution focused, friendly ear to cast and crew alike is highly commendable. Fay remained committed and reliable throughout the entire series. We applaud her courage in putting herself forward for that role.”

A Special Mention went to Elizabeth Perkins, Covid Co-ordinator – Additional Photography Unit on Venom: Let There Be Carnage (Marvel Entertainment) and Travel & Accommodation Co-ordinator on Ant-Man and the Wasp: Quantumania (Marvel Studios/Walt Disney Pictures).

Fay Mohamed
Fay Mohamed © Martin James Photography & Videography

Contribution to the Industry Award

Finally, this years’ PGGB Contribution to the Industry Award went to Michael G. Wilson and Barbara Broccoli, producers of the James Bond franchise and owners of London-based company, EON Productions.

Co-producers of the last nine films in the series, Wilson and Broccoli’s credits include some of the most successful Bond films ever made including Casino Royale, Quantum of Solace, Skyfall (for which they received the BAFTA for Outstanding British Film), Spectre and the most recent, No Time To Die, the top-grossing Hollywood film of the pandemic era at the international box office. The 25th film, which marked Daniel Craig’s fifth and final portrayal as 007, was five-times nominated at the 75th British Academy Film Awards where it won the BAFTA for Best Editing; and three-times nominated at the 94th Academy Awards ,where it won the Oscar for Best Original Song (Billie Eilish, Finneas O’Connell).

Wilson, Broccoli and EON have also produced a number of independent features, often female-directed with strong female storylines, including The Silent Storm (2014), Radiator (2014), Film Stars Don’t Die in Liverpool (2017), Nancy (2018), The Rhythm Section (2020) and Ear for Eye (2021). Working hard behind the scenes to ensure a pipeline of talent for the future, Wilson and Broccoli are founders of the London Screen Academy and Broccoli is BAFTA’s Vice President for Film and a Trustee of Into Film. The pair were awarded OBEs in 2008 and CBEs in the 2022 New Years’ Honours List.

“There are almost too many reasons why Barbara Broccoli and Michael G Wilson deserve this very special award this year, perhaps more than any other year in the long history of their tenure of the Bond franchise,” said Film Critic and award presenter Jason Solomons. “What they did with Bond 25, No Time To Die, is nothing short of phenomenal – showing bravery, commitment, utter faith in their movie, knowledge of their audience and making hard commercial decisions before delivering with the most artistic of flourishes.”

Finally, the Awards also paid tribute to the life of veteran British television producer and Hartswood Films’ founder, Beryl Vertue (1931-2022).

Speaking on the night, PGGB CEO Lyndsay Duthie said: “As British content continues to be in demand, we are delighted to be able to celebrate the achievements of our world class production talent at our prestigious awards ceremony. The winners are all trailblazers and we are so proud of each and every one of them.”

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2022 EE British Academy Film Awards winners announced

The 2022 British Academy Film Awards, the biggest night in the UK’s film calendar, took place on Sunday 13th March, in person for the first time since the start of the pandemic. Rebel Wilson hosted the ceremony which celebrate the achievements of the nominated and winning films.

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